Paragrafi a margine di Finale. La palingenesi della donna di Desinenza in A di Carlo Dossi1

Through a reading focused mainly on the final part of the novel Desinenza in A, the essay aims at the reconstruction of two aspects, both the genre or subgenre, through the supernatural categories formulated by Francesco Orlando, and through a stylistic analysis mainly based on the examination of collocations from the syntactic (and rhythmic-syntactic) point of view and the return of recurring rhythmic clauses often entrusted to those collocations (which, inverted, would violate the rhythmic objective): a sign of the complete
awareness of the stylistic choice.