Il sentiero cognitivo del linguaggio fra surrealismi e libertà

In 1916 with De Saussure
was inaugurated the era of a new interpretative
dimension, that of “semiology”, then recognized as a structuralist order. The
philosopher and linguist of Geneva lays the foundation for what is now, as an autonomous science, is called semiotics. This has influenced and characterized the readings and interpretations of events such as the mode of expression of art and art. With the surrealist period the whole thing weaves in complex disciplinary synergies, and conceptual differences between the cognitive studies, interpretation and art in its widest dimension of expression and free. Awareness of the artists to produce figurative works, apparently defined triggers games with the sense that
only the key to freedom acquire a broad and comprehensive meaning.