Dalla creazione alla creatività. Genealogia di una categoria estetica

The thesis that I will discuss in this essay can be summarized as follows: the most
significant feature of intermediality is related to the possibility of a regeneration of the
relationship between image and reality. I will analyze this thesis by referring to the
phenomenological aesthetics. My hypothesis is that there is an essential relationship
between the processes of intuitive experience objectivation described by Husserl and the
strategies of image elaboration based on intermediality. This elaboration precisely concern
those processes of reality constitution that are more original from the phenomenological
point of view; that is why intermediality can produce effects of image authentication.